"Unto Persephone" is closing in on 50,000 words, and should be wrapped up in about five or six weeks. Thinking over my progress and what I wanted to discuss today, I felt it important to touch on something that I think stymies a lot of potential writers: originality.
Naturally, writers are creative. Not only that, but they want to express that creativity publicly. In many cases, including my own, this need to showcase something is at direct odds with a sense of perfectionism, which can lead to many abandoned projects or difficulty accepting criticism, even when it is legitimate. One of the hangups for the perfectionist writer (or writer to be) is the concept of originality; in trying to create something, we want to be innovative, we want to be ahead of the curve, we want to be recognized for bringing something new to the table that draws people in. Now, to shoot down that train of thought, I will say that you shouldn't bother getting stuck on this issue. The fact of the matter is that humans have been telling stories since the dawn of the species. Your new book isn't going to be able to change the fact that the story elements, the character types, the plot devices, etc., have all been used before. Someone somewhere has said what you have said, and may have even said it better. But you know what? That's okay. People will always return to these stories because they like them, and they want to hear variances on a tune. You won't change the acts in the play, but you can introduce new language or a new setting. Your tone of voice, which is unique to you, is something only you can provide, and that's where you can find your originality. Nothing exists in a vacuum. Whether you realize it or not, your writing is influenced by those that came before you, and what you create will influence people in the future. It's the shared string of storytelling that ties us together as humans throughout time. Source material is important. Drawing on content will give your story a platform to stand on, providing it a solid base from which to grow. Take "Unto Persephone," for example. The book draws on historical events in warfare, including Vietnam, Iraq, Afghanistan, and Somalia. It channels many of the themes of movies such as Apocalypse Now, Platoon, Full Metal Jacket, and Black Hawk Down. And yet it takes place one hundred years in the future with a squad of soldiers in advanced power armor suits. The story is the same, the setting is changed
2 Comments
6/11/2015 08:00:14 pm
Without having an education it is very difficult to get success in this complex world. As we all know that the competition has increased to a great extent where there is a great need of an education.
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2/5/2018 02:35:10 pm
I didn't notice that it's been five weeks since you started producing "Unto Persephone". It was a good run until it lasted. Actually, I've learned so much about the book, not just about the topic you have tackled but everything that can be learned in life as well. I understand that you might be feeling sad right now, but I guess it's all part of the process. Once you're a writer you get attached easily to your craft, even to the characters of what you have created. But at the end of the day, there is a need for you to let go.
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AuthorA.C. Harrison is the author of "Jupiter Symphony" and is currently editing his second novel, "Unto Persephone." Archives
August 2015
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